| Author
Lewis Robinson ’89 Reads From Acclaimed Book, Meets Milton
Students |
|
April 22, 2003
|
The
New York Times heralds the debut book of Lewis Robinson ’89,
Officer Friendly and Other Stories, as a volume that puts
the writer and his work on the literary map.
“Lewis Robinson,” his reviewer writes, “is the
rare fiction writer who has also been employed as a crab slaughterer.
Whatever it takes to handle a job like that can also be found in
his short stories.”
On Tuesday, April 22, 2003, Lewis returned to Milton Academy creative
writing classrooms to read from “The Diver”—the
first of 11 stories in Officer Friendly—and to discuss
his craft.
“In college, I worked as a diver in a small town in Maine.
I remember the awkwardness of existing in that zone between outsiders
and locals,” he told students. Lewis’s stories are all
set in Point Allison, a fictional Maine town.
“I admire stories that put the narrator in a tight spot,”
Lewis said. The rest of the story evolves from how that character
acts in his predicament, he said. “I make sure that every
detail contributes to the center [of the story], to the primary
concerns of the narrator.”
Lewis also discussed the process of writing. “I see the work
of writing as being almost entirely revision. I have very little
faith in my first draft,” he said. “There’s the
exhilaration that comes with the first draft …but I’m
usually in a daze when I’m getting the story out.” Lewis
encouraged students, however, to rely on the power of their sub-conscious
minds in the first stage of creative writing, telling them that
a more rational, structured approach at the outset can result in
contrived, too-careful fiction.
On his method of character development, Lewis said, “These
characters are not plucked from the ether.” They are, at some
level, based on people he has known; main characters are often an
exploration of some version of himself, he said, noting that the
plots of his stories are fictional.
“The work that I most appreciate is character-driven. My style
defers to scene, action and dialogue. I stay away from exposition,
[and I think that] brings an immediacy to the story. My style is
spare. I think writers often use adjectives and adverbs when they
can’t find the right verb or noun.
“It’s important to choose details in a really discriminating
way. That’s what I aspire to do,” he said.
Lewis lives in Portland, Maine.

|